Zärtlicher Garten. 1964.
Oil and nails on panel.
Verso signed twice, dated and titled "Zärtlicher Garten", and with the crossed through titles "Diagonale Strömung" and "Kleines Meer" as well as with two arrows and direction indications. Signed, dated and titled "Zärtlicher Garten" again at the upper edge. 154 x 153 x 9.5 cm (60.6 x 60.2 x 3.7 in).
The year 1964 saw Günther Uecker's international breakthrough, other works from the same years are in possession of the MOMA and the Nelson Rockefeller Collection, formerly Collection Frank Sinatra..
This work is registered in the Uecker Archive with the number GU.64.005 and will be included into the forthcoming Uecker catalog raisonneé.
PROVENANCE: Collection Glasmeier, Gelsenkirchen (at least since)
Private collection North Rhine-Westphalia.
EXHIBITION: Licht Bewegung Farbe, Kunsthalle Nuremberg, April 28 - June 18, 1967, cat. no. 47, with color illu. on p. 51.
Zero in Gelsenkirchen 1963/2013: Zurück in die Zukunft, Kunstmuseum Gelsenkirchen, 2013 (not in ex. cat.)
Zero. Die internationale Kunstbewegung der 50er und 60er Jahre, Martin-Gropius-Bau Berlin, March 21 - June 8, 2015/ Stedelijk Museum Amsterdam, July 4 - November 8, 2015, cat. no. 487.
"I have never regarded myself as an aggressor. The aggression I am imputed to does not exist. It is tenderness with a certain impertinence, a kind of intrusiveness. This tenderness is a longing for love."
Günther Uecker, quote after: www.ndr.de/kultur/geschichte/koepfe/Guenther-Uecker-Viele-Naegel-grosse-Kunst.
"The field's motion
The shimmering light
The wind on the water
Language of the dissolving signs of beauty
Hovering clouds
The white beach
Where the visible, crowned by light, goes lost in the invisible"
(Günter Uecker, 1964)
Called up: December 8, 2018 - ca. 16.46 h +/- 20 min.